If there’s one thing London Calling proves, it’s that the Brits know how to put on a jolly good show – and just like the British Museum, Paul Dabek’s London Calling offers the best of the best from all across the globe (though unlike the British Museum, these acts joined the show on their own accord). London Calling is the award-winning variety spectacular that has returned to the Adelaide Fringe bigger, bolder, and brimming with an all-new lineup of world-class performers and some favourite familiar faces also. When I watched this show a few years ago I lamented at the injustice of tucking such a fantastic performance down the other end of the city, in Tarntanyangga’s Fools Paradise. Thankfully, London Calling is now more accessible than ever for you to get to, sitting comfortably in Gluttony’s Flamingo venue.
Helmed by the impossibly suave and quick-witted Paul Dabek, London Calling delivers an exhilarating mix of circus, cabaret, comedy, and magic that keeps audiences on the edge of their seats. And if you didn’t think shadow puppetry could be a showstopper, wait until you witness his take on The Lion King - turns out, the Circle of Life is even better in silhouette (certainly better than the live action remake, at least).
The show embraces its London theme wholeheartedly, taking the audience on a whirlwind ride through the city’s most iconic (and chaotic) moments. We start in the Underground, returning favourite Antje Pode mesmerises you with her fine footwork. Captain Frodo - equal parts contortionist and comedian - defies anatomical physics with his unhinged (literally) antics at Wimbledon, causing a racket in every sense of the word. Frodo is always a favourite of mine and this year is no exception. His comedic timing, idealistic attitude and sporty fashion statements never fail to make me smile.
Oscar Kaufmann’s aerial act is another highlight, transforming an ordinary coat rack into a high-flying spectacle. Who knew a night out at a British pub could lead to such acrobatics? Chelsea Angell’s hula-hooping is hypnotic as always, Roberto Carlos’ juggling routine lights up Piccadilly Circus, and through it all, Dabek keeps the show running like a well-oiled double-decker bus, steering us between gasps and belly laughs with effortless charm.
London Calling is a thrill ride from start to finish - fast, funny, and packed with mind-boggling talent. If London is calling this Fringe season, don’t just answer—run to The Flamingo and let this brilliant, bonkers spectacle sweep you off your feet.
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